In 1987, the American artist Keith Haring, known for his signature bright, cartoonish style, created five digital drawings on a chunky personal computer. Since then, these images have been stored on ...
Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?
“It’s just like planning a dinner,” the renowned computer scientist Grace Hopper once quipped about computing in a 1967 issue of Cosmopolitan. “You have to plan ahead and schedule everything so it’s ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback