Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. In 1855, Edward Burne-Jones and William Morris, student friends at Oxford, ...

My mother made me a journalist. And a musician, an artist, a poet and a playwright. I realized this recently while taking in an exhibition at the National Gallery of Art in Washington, D.C. —“The ...

Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...

Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Editor’s Note: Untold Art History investigates lesser-known stories in art, spotlighting unsung and pioneering artists you should know, as well as revealing new insights into influential artworks.

"Isabella and the Pot of Basil" by William Holman Hunt will be sold at auction in London The Delaware museum boasts the most significant collection of Pre-Raphaelite works outside of the United ...

Two exhibitions at the Art Gallery of Ballarat offer visitors a chance to get up close with Pre-Raphaelite works. In partnership with the Art Gallery of Ballarat, we sit down with the gallery’s ...

An artist can reveal the true personality of their sitter through a drawing. The first section of the Ashmolean’s exhibition includes intimate portraits of the group’s family, patrons and friends; it ...

A CACHE of old sketches turned out to be the most important discovery of Pre-Raphaelite drawings in decades, according to an Oxford gallery owner. Aidan Meller, who runs art galleries in Broad Street ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

The English don’t really like art,” a celebrated (English) abstract sculptor told me, some time ago. “We like literature and nature—gardens and landscape. That’s why we admire all those artists who go ...