Isaach De Bankole in 'The Limits of Control.' Paint drying. Grass growing. Rush-hour traffic. All these activities would be more entertaining to watch -- and probably speedier -- than Jim Jarmusch's ...

Jim Jarmusch’s anonymous anti-hero hitman (French-Ivorian actor Isaach De Bankolé), identified in the credits of The Limits of Control as the Lone Man, exists only in terms of his unspecified mission.

Jim Jarmusch begins his film The Limits of Control, the tale of a hitman who doesn’t seem to hit, with a quote from the first two lines of Arthur Rimbaud’s poem “The Drunken Boat.” Some may see this ...

Jim Jarmusch surveys the striking architecture of Spain in "The Limits of Control," an existential travelogue of a crime thriller (minus the thrills) taking its inspiration from, among other things, a ...

Zach Laws is a longtime entertainment journalist and movie features writer. He is also an independent filmmaker and member of the Screen Actors Guild based out of Los Angeles. Zach grew up watching ...

Is the beginning even the beginning? It’s a question I posed in my head about halfway through Jim Jarmusch’s The Limits of Control, first literally and later philosophically. Structured as a series of ...

Jim Jarmusch’s anonymous antihero hitman (French-Ivorian actor Isaach De Bankolé), identified in the credits of The Limits of Control as the Lone Man, exists only in terms of his unspecified mission.

Jim Jarmusch is a model of stylistic consistency who emerged as a full-blown talent and erupts once a decade—Stranger Than Paradise in the ’80s, Dead Man in the ’90s, The Limits of Control today. An ...

Jim Jarmusch’s “The Limits of Control” led the specialty box office this weekend, according to estimates provided by Rentrak. The Focus Features release – described by indieWIRE‘s Michael Koresky as ...